Scientists observe 'tragic experiment' of tsunami debris

Jeff Larson has seen just about everything wash up on the shores of Santa Cruz: bottles, toys, shotgun shells, busted surfboards and fishing floats that looked like they had bobbed across the Pacific.

When surging water driven by the magnitude 9.0 earthquake in Japan tore apart his city's harbor, he was there to scoop up the splintered docks and broken boats that were heaved onto the sand.

Now, more than a year after the catastrophe in Japan, Larson and fellow beachcombers up and down the West Coast are awaiting the flotsam that was set on a eastward course by the destructive surge of water.

Fishing floats, soccer balls, fuel tanks and crewless fishing vessels set adrift by the tsunami and pushed thousands of miles across the ocean by currents and winds are already arriving on American shores.

But this is not just driftwood. These fragments of people's lives are floating reminders of a great tragedy: The March 11, 2011, earthquake that unleashed tsunami waves over 100 feet high killed more than 16,000 people, obliterated coastal communities and swept millions of tons of material out to sea.

So as scientists track the debris, the government prepares for its arrival and expeditions sail to the middle of the ocean to meet it, Larson will patrol his adopted beach with a five-gallon bucket and a grab stick, the tsunami on his mind.

"I'll be looking for any signs of foreign material," the volunteer with beach cleanup group Save Our Shores said, "and reporting it to anyone who cares."

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From Alaska to Northern California, beachcombers are reporting a growing influx of aerosol cans, fishing floats and plastic fuel cans swept from Japan.

There was a soccer ball with Japanese writing discovered in March on a remote Alaskan island and traced to a 16-year-old boy in Japan. In early April, the U.S. Coast Guard had to use explosives to sink a so-called ghost ship ? a 164-foot Japanese fishing vessel drifting through the Gulf of Alaska.

A corroded Harley-Davidson motorcycle packed in a container washed up on a Canadian island. The owner, located through the bike's license plate number, had lost three family members in the tsunami, Japanese media reported. Although currents along the California coast may deflect much of the debris back toward Hawaii, environmental groups as far south as San Diego are monitoring their shores just in case.

In all, more than 200 bottles, cans, buoys and floats have been reported to the National Oceanic and Atmospheric Administration. None of the debris is considered radioactive since it was dragged to sea before the nuclear disaster.

But the agency has verified just a few traceable items as tsunami debris. Much of the rest, officials say, is items so commonplace they can't be distinguished from the flotsam that makes landfall every day.

"We have debris washing up on the shore all the time from Japan, China and other places and they probably have ours," says Nir Barnea, West Coast coordinator of NOAA's marine debris program.

Others say the U.S. government is downplaying the size and significance of the approaching debris.

"Unfortunately 99.999% of debris doesn't come with a label," retired Seattle oceanographer Curtis Ebbesmeyer said. "Lawyers want something with a street number or a boat name on it. Flotsam isn't like that, so basically you can't positively track anything back to Japan."

Ebbesmeyer, who compiles reports from West Coast beachcombers on his blog, has tallied at least 500 foam and plastic floats and fuel cans that have shown up from Japan since October. He said that's roughly 167 times the normal rate.

"They all started arriving at once from Kodiak, Alaska, to Northern California, and that's very indicative of a disaster," he said.

Ebbesmeyer expects the amount of debris to increase dramatically this fall with the arrival of floating refrigerators, car wheels, bath toys and shoes ? items with a remarkable ability to float long distances.

With that possibility in mind, the state of Washington has distributed fliers with instructions on how to handle everything from canisters of insecticide to personal possessions.

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Robert Pattinson all grown up in "Cosmopolis"

CANNES, France (AP) ? Going back to what he does best, David Cronenberg takes a visceral day-trip inside the cushioned limousine of a tycoon who cares little for the bloody, populist riots that explode outside his car in "Cosmopolis."

All the young multi-billionaire Eric Packer ? played by a steely-eyed Robert Pattinson ? wants is a haircut.

Packer spends the entire film, which premiered Friday in Cannes, crossing town to get one but is waylaid when the U.S. president's visit to the city causes traffic chaos. Yet when he eventually makes it to the barber, his haircut is interrupted and he leaves in futility, half-shaven.

For Cronenberg, a master of provocation, the significance of this probably goes beyond a debate on the quality of haircuts at barber shops ? though judging by Pattinson's slick red-carpet hair, it is probable he opted for a stylist.

In the surreal "Cosmopolis," ? full of long, introspective dialogue ? the portrayal of cold, moneyed arrogance is a warning against the perceived greed of current times.

The oversexed, 28-year-old Packer has made his billions as an asset manager in a dystopian Manhattan and is so self-obsessed he barely registers the violent protests against capitalism around him. The only time Packer seems worried is after a doctor tells him, in one of the movie's many comic moments, that he has an "asymmetrical prostate" ? with prostate-gazing an obvious synonym for navel-gazing.

Pattison ? who is most famous for playing a vampire in the teen "Twilight" series ? said he was nervous about the complex role.

"I spent two weeks in my hotel room worrying," he said, joking that "actors aren't meant to be intelligent."

But the ego and cynicism stretch beyond his character and infect the whole landscape.

The film starts with a quote: "a rat becomes the unit of currency," that turns out to be true for the movie's characters, who all seem to be part of a individualistic "rat race" each struggling to get his or her 15 minutes of fame.

The last scene sees a claustrophobic 22-minute face-off between Packer and a crazed man trying to assassinate him, played with standout brilliance by Paul Giamatti. The two talk on a couch, separated by a screen that Cronenberg said conjures up images of a Catholic confessional, exploring how selfish the world is.

Pattinson, whose past public appearances have caused mobs of teens to swoon, said he identified with the role, joking that he sometimes thinks "people are trying to kill me."

The film was based on a 2003 book by Don DeLillo, who was at the Cannes Film Festival alongside Cronenberg and said the film's dialogue was directly lifted from the novel. Still, at many points, the drawn-out dialogue seemed to have more elements of a play and the movie dragged.

At the post-screening press conference, Cronenberg justified with aplomb the film's introspective qualities. "For me, the essence of cinema is a person, a face, speaking."

Pattinson said he loves Cronenberg's other films ? which include the 2011 "A Dangerous Method" ? but the Canadian director said "I always had the feeling he'd never seen any of my movies."

The film has drawn inevitable comparisons to current financial woes and the timeless themes of greed vs. poverty and populist anger, but Cronenberg said any link to current affairs was accidental. Still, the shooting did coincide with global anti-capitalist protests that began in late 2011.

"(After filming) in the evenings, to read about the Occupy Wall Street demonstrations, it seemed at points that we were working more on a documentary," he said.

DeLillo said he wrote "Cosmopolis" after being struck by the massive gap between rich and poor in Manhattan.

"New York City streets at the turn of the century seemed suddenly filled up with white stretch limousines," he said.

People come to Cannes to dream, and this gritty, cynical film was seen by some Cannes revelers as a downer. So where was the hope?

"The hope is embodied in the fact that the movie got made in the first place," Cronenberg said with a dry smile. "It's not an easy movie to get financed. In Hollywood, $200 million is spent on movies that are extremely conservative, not-edgy. The hope is in the art."

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On Twitter you can follow Thomas Adamson at ThomasAdamsonAP

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GROOMSMEN GIFTS BLOG ? Blog Archive ? Personalized Summer ...

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The summer season, which runs through the month of May up to September, is known to be the most exquisite time to get married. It could not get?more romantic than getting married in an outdoor location; saying ?I Do? under the endless sunshine, surrounded with cheerful bright colored flowers and chirping birds. Refreshing Food and Beverage is a must-list for Summer Weddings where mostly instead of tequila shots,?Margarita?is offered.. instead of hot pasta or sauces, salad and finger foods accompany the main course.

Rejoice this exotic season by offering revitalizing drinks to your guests to keep them hydrated and pumped up. Offer your lemonade (with or without the margarita mix) as an entry drink with our Antique Drinking Jar and jazz it up with cut fruit to make it pretty. The best part..? You can even personalize it!!This?Antique Drinking Jar?that comes in sets of 4 can be engraved with initials and become more exquisite to with a special touch of Gold or Silver. It makes perfect bridesmaid gifts and even wedding gifts that can add so much fun to your summer get together!

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Improving Your Odds with mHealth? ?? ?Primary diagnoses are right 48% of the time.? So if you go to the doctor and ask 'what's wrong with me' you'll have about a 50/50 chance of getting the right answer,? says Don Jones, VP of Qualcomm Life and l

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'Soulcaliber': A Beautiful Mashy-Slashy Mess

Action games can be tricky to pull off on iOS. Everything's done through a touchscreen, so you don't have as much tactile feedback -- there are no buttons under your fingertips to let you feel exactly where you need to touch at precisely the right moment, while your eyes are busy with the screen.

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Girl's 12 years of life in two-minute video

By Courtney Garcia, msnbc.com contributor

Parents everywhere take note: the job of family videographer just got a little more intense.

To creatively preserve the lasting memory of his daughter, Lotte, filmmaker Frans Hofmeester took snippets of footage from 600 weeks of filming her growth, and sliced them together in a time-lapsed montage that documents her development from birth to age 12. He released the video mosaic to the world on Vimeo on April 16.

Lotte?s journey through youth involves a few spit-ups and tears, the arrival of teeth, a grab for the nostrils, and a sampling of seasonal fashion trends via turtlenecks, hats and hoodies. Most dramatic is her evolving hairstyle, as her blond locks grow, her part gets shifted, and pigtails subsequently appear. It?s then onto barrettes and headbands, the camera snapping away while the little girl?s once tousled mane is pulled, primped, and layered according to the mode du jour.

Hofmeester made a similar short film about his son?s maturity, from birth to age nine, which the director posted April 18 and runs just over two minutes in length.

According to his website, Hofmeester is a Netherlands-based photographer and editor, specializing in e-learning, corporate films and short clips. He is nominated for a 2012 One Minute Award in the category of Moving photography for another of his projects.

Lottie?s track to tween-dom concludes with the brooding remark, ?To be continued??

What do you think of Hofmeester's project? Share your thoughts on Facebook.

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Buffer Has Scheduled 10M Social Updates And Signed Up 180K Users

buffer logoWhen we last covered Buffer, a service for scheduling your social media sharing, the startup had just raised $400,000, and its founders were relocating from San Francisco to Hong Kong due to expiring visas. It sounds like the immigration situation hasn't been entirely resolved, and most of the team is still in Hong Kong ? but on the bright side, Buffer's growth has continued. Buffer is designed for marketers and other folks who want to maintain an active social media presence without actually spending every second of their day on Facebook and Twitter. You can load the service up with content that you want to share, then it automatically gets posted throughout the day. Co-founder Leonhard Widrich tells me that on Monday, Buffer posted its 10 millionth update. The service is now posting one update every second.

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